This is the second film we’ve watched by Polish director Andrzej Wajda, the last one he made before he died in fact, and to no one’s surprise, it isn’t any less darker than Katyń. This one is a biography of Władysław Strzemiński, apparently a Polish artist of some renown beginning in the 1920s.
Continue reading Afterimage (2016)
Today Lindsay Lohan is perhaps the poster girl for the teen idol whose career and life crashes and burns hard but there was indeed a time when she was Hollywood’s it-girl and Mean Girls is probably her best and most memorable role. I didn’t watch it back in the day and always hesitated about putting it on the watch list because it’s isn’t exactly acknowledged as a great film. I eventually caved in when some Broken Forum members named it as one of the best comedies of the new millennium. Plus we’ve watched so many films over the past couple of years that we’ve really been running down the list.
Continue reading Mean Girls (2004)
This film made the lists of some critics’ most notable films a couple of years ago but I had a very difficult time tracking it down. I think this is at least partially because while it was certainly notable, it wasn’t particularly successful. It’s a Portuguese film by Pedro Costa and one of the main reasons it was notable that it is almost completely indecipherable, being close to an experimental film with hardly any plot.
Continue reading Horse Money (2014)
I remember watching the trailer for this in the cinemas and coming away with the impression that this was fairly generic Disney fare transposed on top of Polynesian mythology. It didn’t help that Dwayne Johnson appeared to be playing a character identical to his real-life persona and I find him annoying. But then months after its release, I noticed a stream of posts on Broken Forum praising it. As it turned out, Johnson does indeed sort of play himself, but the film is smart enough to mock his persona, which makes all the difference.
Continue reading Moana (2016)
If you’re anything like me, this film’s title is a subject of some confusion. After all, today when we think of the word ‘network’, we think in terms of computer and communications networks. The last thing that would come to mind is a television network. Yet this is indeed what it’s about and it turns out to be an impressively prescient film by Sidney Lumet who once again blows me away with his acute sense of insightful social commentary.
Continue reading Network (1976)
The only feature film director Fede Álvarez made before this was the reboot of Evil Dead. I noticed that as I’m a big fan of the original one by Sam Raimi but ultimately passed over watching it due to its atrocious ratings. This recent release however gained plenty of attention from critics and has a more than respectable Rotten Tomatoes rating. It even rated a mention in the Crash Course Film History series of videos I’ve been following on YouTube. That’s more than enough to be worth a shot I think.
Continue reading Don’t Breathe (2016)
Asghar Farhadi remains, in my opinion, one of the best currently active directors when it comes to the pure drama of everyday life, and I was immensely pleased that The Salesman duly won the Academy Award for Best Foreign Film. I had not of course watched it yet but regarded the award as an American acknowledgement of his career to date so when I learned that it would be shown in cinemas here in Malaysia made sure to watch it there as a show of support.
Continue reading The Salesman (2016)