Max Brooks’ World War Z is a follow-up to The Zombie Survival Guide which became a commercial success largely through word of mouth on the Internet. While The Zombie Survival Guide was a fictional manual covering the biology of zombies and suggested methods of killing them and surviving a zombie outbreak, World War Z tells the story of a worldwide zombie apocalypse scenario through the oral testimonies of over 40 survivors. It has since become popular enough that there are plans to make a film version of the book with a screenplay by J. Michael Straczynski.
World War Z places the initial zombie outbreak in Sichuan Province, China, where a boy diving for treasure amongst the submerged villages of the Three Gorges Reservoir comes to the surface with a mysterious bite mark on his foot and is kept locked in an abandoned house by frightened villages after attacking and biting a number of them. They notify the local hospital and the doctor who is sent is shocked to discover that the boy is as savage as an animal, biting and clawing at anyone who comes near him. His skin has become cold and gray, and though numerous wounds are found all over his body from his struggles to free himself, no blood comes out of them. A hypodermic needle inserted into where his veins should be comes up filled with a strange, viscous matter. He is even able to snap his own arm in an effort to free himself and seems affected by neither pain nor exhaustion. Not unexpectedly, all of the villagers bitten by the boy have become comatose with cold and gray skin as well.
Continue reading A Book: World War Z
Now, I have long been nonplussed by Isaac’s Alchemical research, but as years have gone by I have perceived that he would achieve a similar triumph by finding a single common underlying explanation for phænomena that we think of as diverse, and unrelated: free will, God’s presence in the Universe, miracles, and the transmutation of chymical elements. Counched in the willfully obscure jargon of the Alchemists, this cause, or principle, or whatever one wants to call it, is known as the Philosopher’s Stone, or other terms such as the Philosophic Mercury, the Vital Agent, the Latent or Subtile Spirit, the Secret Fire, the Material Soul of Matter, the Invisible Habitant, the Body of Light, the Seed, the Seminal Virtue.
– Neal Stephenson in The System of the World
For a book written by Neal Stephenson, I had a hard time getting into Quicksilver, the first book of his Baroque Cycle. This is astonishing because of how much I enjoyed and how quickly I devoured his earlier books, Snow Crash and The Diamond Age. Quicksilver and its subsequent volumes The Confusion and The System of the World, appear at first glance to be a different beast entirely. For one thing, the events chronicled in the novel take place from roughly the middle of the 17th century to the beginning of the 18th century. For another, real historical figures from the period in question play a central role in the story and while most of the exploits described in the novel are fictional, they are skillfully interleaved with real historical events. For these reasons, ever since the publication of the first volume, debate has raged amongst fans and readers on whether or not it even constitutes science-fiction.
Continue reading Books: The Baroque Cycle
The solar system is a dead loss right now – dumb all over! Just measure the MIPS per milligram. If it isn’t thinking, it isn’t working. We need to start with the low-mass bodies, reconfigure them for our own use. Dismantle the moon! Dismantle Mars! Build masses of free-flying nanocomputing processor nodes exchanging data via laser link, each layer running off the waste heat of the next one in. Matrioshka brains, Russian doll Dyson spheres the size of solar systems. Teach dumb matter to do the Turing boogie!
– Charles Stross in Accelerando
Accelerando is a hard book to recommend to anyone. At times it reads as if author Charles Stross wrote it by first making a bullet-point list of cool stuff he wanted to include: effective cyclists! Rubberized concrete! Agalmic economies! Corporate regulations written in Python! Distributed Internet reputation servers! As the exclamation points suggest, every mention of the latest and greatest toys is suffused with breathless enthusiasm. Only afterwards is the story worked in and the characters, in this case, three generations of the dysfunctional and idiosyncratic Macx family, created to serve the plot.
Continue reading A Book: Accelerando
Check out the cool artwork (click on the image for a larger version) above by Richard Lim Boon Keat and used with his permission here. Apparently he’s a Malaysian artist who’s worked on a number of game projects. I discovered his website through Armageddon Empires, a game by QT3 forum member Vic Davis, which is a notable indie gem combining wargame and collectible-card game mechanics. It deserves a post of its own, but I’ll have to spend more time on it before I have much to say on it.
Continue reading The Art of Science Fiction
Baby’s First Fall was my first and so far only published piece of fiction. It was kindly accepted for publication by Gary Markette at Anotherealm. I’m glad to see the site is still alive and well five years later and the story itself still available for reading online, even if he did call me Mr. Yew.
The story is the only decent thing of mine that came out of my participation in the now defunct Del Rey Online Writing Workshop. According to the website of Ellen Key Harris-Braun who apparently constructed the site for Del Rey, it was an early example of the community peer-review environment that is widely prevalent today and attracted over 8,000 members at its height.
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Where do we go from here? History can’t guide us. Evolution can’t guide us. The C-Z charter says understand and respect the universe… but in what form? On what scale? With what kind of senses, what kind of minds? We can become anything at all – and that space of possible futures dwarfs the galaxy. Can we explore it without losing our way?
-Greg Egan in Diaspora
Australian writer Greg Egan has consistently produced some of the most innovative, ambitiously speculative and technically rigorous science fiction stories of the 1990s. As an avid fan of the genre, my opinion is that Egan’s influence in the field goes far beyond what is evident in simple sales volume or media attention since many other writers seem to have taken note of his style and have attempted “Eganesque” stories or novels of their own. With his sixth novel, Diaspora, he probes the future of humanity, going farther than any other writer has ever gone before.
Continue reading A Book: Diaspora