Tag Archives: space opera

The Fall of Hyperion

A lesser light once asked Ummon //
Please deliver this learner
from darkness and illusion
quickly \\//
Ummon answered //
What is the price of
fiberplastic
in Port Romance]

– Dan Simmons in The Fall of Hyperion

Over two years ago, I ended my post about Hyperion with a note saying how unlikely it would be for its sequel to be worthy of the standards set by that excellent novel. Having stumbled across the book in a store in Kuala Lumpur and having devoured it over the course of my holiday, I am sad to report that this is indeed the case.

The Fall of Hyperion is a much more conventional space opera tale than the original was. It does away with the frame story device that made the original so memorable and tells the story in a more straightforward manner. There are now two narrative threads, one continuing the story of the six remaining pilgrims as they finally reach the Time Tombs. The other focuses on the government of the Hegemony as they respond to imminent war with the Ousters while trying their best to keep track with what is happening with the pilgrims on Hyperion.

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The New Space Opera

My wife mocks me for taking the better part of a year to get around to finishing this book. In my defense, I offer the following excuses:

  1. I’ve been busy catching up on my backlog of The Economist issues.
  2. With 18 stories in all, it’s a pretty hefty collection.
  3. Many of the stories are good but not great science fiction, and most would barely fit under the space opera label at all.

I don’t want to get into a lengthy discussion of what space opera is, let alone what “new space opera” would be. Suffice to say that old or new, space opera evokes images of starships and space battles, rip roaring action adventure on a grand scale and larger than life heroes. Think Star Wars instead of Star Trek (the pre-retcon version anyway). Most of the stories in The New Space Opera don’t really fit this mould.

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Total War in space!

Sword of the Stars 2009-07-18 23-49-15-32_reduced

Sword of the Stars is a game that was first released way back in 2006. Despite its promising premise and a design that initially appealed to me, I held back from buying it due to the poor reviews it received. Then there was the matter of the minor controversy it generated on QT3. One of the game’s designers had the unfortunate tendency to take criticisms against the game rather poorly and had a habit of getting into flame wars with potential customers.

But it was when the designer decided to pick a fight with QT3 owner Tom Chick that the consensus on the forum turned against it. Tom Chick, a freelance game reviewer, had delivered a less than flattering review of the game. The designer responded by accusing Chick of being biased since he was involved in writing the manual for Galactic Civilizations 2, which can be seen as a direct competitor to Sword of the Stars. You can still read Chick’s reply to that accusation here.

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Star Trek is dead. Long live the new Star Trek

startrekposter

Inevitably, I went to see the newest Star Trek film with my wife on Sunday. Now, I’ve always thought of myself as a Star Trek fan, even though I’m too young for The Original Series and it’s The Next Generation that is the most memorable for me. I never did get around to watching Deep Space Nine, only watched bits and pieces of Voyager and made a deliberate effort to avoid watching Enterprise.

Still, I’m reasonably up to snuff on the best parts of TOS and combined with the best parts of TNG, I have a very firm idea of what it is that makes Star Trek great: as a mainstream platform on which to tell high-brow science-fiction. After all, it’s not a coincidence that many of the very best episodes were written by the most notable writers of print-based science-fiction, for example, City on the Edge of Forever (TOS) by Harlan Ellison, The Measure of a Man (TNG) by Melinda Snodgrass, The Doomsday Machine (TOS) by Norman Spinrad etc. Plus, there’s the fact that Star Trek always had a single very clear vision: creator Gene Roddenberry’s dream of a unified and noble humanity venturing out to do good amongst the stars.

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A Book: Hyperion

It was vaguely man-shaped but in no way human. It stood at least three meters tall. Even when it was at rest, the silvered surface of the thing seemed to shift and flow like mercury suspended in midair. The reddish glow from the crosses etched into the tunnel walls reflected from sharp surfaces and glinted on the curved metal blades protruding from the thing’s forehead, four wrists, oddly jointed elbows, knees, armored back, and thorax. It flowed between the kneeling Bikura, and when it extended four long arms, hands extended but fingers clicking into place like chrome scalpels, I was absurdly reminded of His Holiness on Pacem offering a benediction to the faithful.

I had no doubt that I was looking at the legendary Shrike.

– Dan Simmons in Hyperion

As an avid fan of science-fiction, I’ve read just about all of the classics of the genre. Dan Simmons’ Hyperion is one of the exceptions, so it was with some pleasure that I came across a copy of it while browsing at a bookstore at Warisan Square here in Kota Kinabalu. I’ve already had some familiarity with the plot, having read one or two of Simmons’ short stories based on the same setting in various anthologies, but this was the first time that I’ve actually read the book, and I have to say that it deserves every bit of the many accolades it has been given.

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