This film is again obligatory watching due to its excellent reception from critics but it’s certainly puzzling to me how director Jim Jarmusch makes films that are each so different from one another. I’d found The Limits of Control to be almost incomprehensible and Only Lovers Left Alive to be a rather shallow comedy. I can’t say that I really cared much for either of them. Paterson on the other hand is easily one of my favorites of the year and is a pleasant, almost very light, watching experience.
Continue reading Paterson (2016)
This is a Colombian film filmed almost entirely in black and white and since you’re seeing it here, that means that it was very highly regarded by critics. It was made by little known Colombian director Ciro Guerra and filmed in the jungles of the Amazonia region of the country. An ending blurb suggest that parts of it were inspired by diaries kept by real European explorers and these are almost the only records that still exist of the tribes described therein.
Continue reading Embrace of the Serpent (2015)
Only Yesterday is one of Studio Ghibli’s earliest films but it received an official U.S. release only last year on the occasion of its 25th anniversary, giving it a new burst of attention. Since I’d never watched I added to our list and I guess I’ll probably eventually work my way through the rest of the studio’s early works someday. This one was directed by Isao Takahata and loosely based on a manga.
Continue reading Only Yesterday (1991)
This is a documentary with an insanely high Rotten Tomatoes rating and was cited by multiple critics last year as one of the year’s best films, so naturally it was added to our watch list. It was made by Kirsten Johnson, who seems to be more of a cinematographer than a director. She asks that this film, compiled from footage of other documentaries that she has worked on plus personal videos of her and her family, be considered as her memoir.
Continue reading Cameraperson (2016)
So our regular cinephile friend had nothing but high praise for this little known Chinese film, making it a must watch. Unfortunately finding a copy of it anywhere proved almost impossible and I had to eventually get it from that same friend. When I finally sat down to watch it, I found it abstruse with its highly abbreviated Chinese speech almost indecipherable. Even my wife ended up giving up on understanding it. I eventually had to look up the plot on Wikipedia to work everything out.
Continue reading The Final Master (2015)
I’ve gotten so used to flying Air Asia in recent years that I’d almost forgotten that one can actually watch films during flights. I picked this to watch during a recent flight but was not quite able to finish it plus of course watching this on such a small screen isn’t the best experience. Still I’d watched until the end of the climactic fight and it’s hardly a great film to begin with, so I think I have enough to write something about it.
Continue reading King Arthur: Legend of the Sword (2017)
This British drama made the rounds at film festivals and rated mentions from a number of critics, but it didn’t exactly blow people away. It was directed by Terence Davies, a director unknown to me, and is an adaptation of famous Scottish novel of the same name by Lewis Grassic Gibbon.
Continue reading Sunset Song (2015)