The trailer for Edge of Tomorrow popped up during one of our irregular cinema outings. I mentally dismissed it as a generic sci-fi Hollywood movie starring generic sci-fi action star Tom Cruise and thought nothing more of it. But months after its release, I started hearing about how this is way better than it has any reason to be, even from cinephile friends whose tastes I trust. Since this is sci-fi after all and I am a fan of time loops as a plot device, as in Groundhog Day and to a lesser extent Source Code and even Next, this meant I just had to put it onto my watch queue.
Continuing with our tour of the great classics of cinema is Jean Renoir’s La Grande Illusion. We’d previously watched his La Règle du Jeu which I found to be a complex and wickedly funny dissection of the European upper classes and their social structures. So I was really looking forward to this film that is set during the First World War.
It often feels like mentally disturbed people are a recurring trope in Korean dramas. It may not be seem front-and-center in Secret Sunshine but Jeon Do-yeon’s Lee Shin-ae does spend most of the film in a fugue state that leads her to make an escalating series of questionable decisions.
I’m always looking for interesting shows to watch and this anime series came to my attention on Broken Forum when someone called it practically the inspiration for Gravity. Combined with how it’s a self-contained, close-ended story and how long it has been since we’ve watched an anime, I put this on our “to watch” list.
Every year at around this time, I make a summary post about the winners of the scientific Nobel Prizes because I feel that insufficient attention is paid to them. I always ignore the Peace Prize and the Literature Prize. Here are the winners for Physics, Chemistry, Physiology / Medicine and Economics categories.
The physics prize seems unexciting to me but I guess it is practical and useful. It goes to Isamu Akasaki, Hiroshi Amano and Shuji Nakamura for discovering how to produce blue light beams from semi-conductors. This is what enabled modern LED lamps to be a reality as it is not possible to create white lamps without blue light.
The chemistry prize goes for to Eric Betzig, Stefan W. Hell and William E. Moerner for the invention of nanoscopy. Previously, optical microscopes were limited to a resolution of about half the wavelength of light, or about 200 nanometres. This prize is awarded for two separate developments: STED microscopy which uses two laser beams, one to stimulate fluorescent molecules to glow and another to cancel out all fluorescence except for that within a nanometre-sized volume, and single-molecule microscopy which relies on turning the fluorescence of individual molecules on and off and superimposing all of the images thereby gained into a single super-image. Both techniques bring microscopy into the nano-scale.
The physiology / medicine prize goes to John O´Keefe, May-Britt Moser and Edvard I. Moser for research into the positioning system in the brain. As would be obvious, many animals have a sense of location and an internal map of the locations that they know and how paths lead from one place to another. O´Keefe realized that a specific type of nerve cell in the brain of a rat always activated when in a specific location. The two others discovered another type of nerve cell that together generate a coordinate system that allows for positioning and pathfinding. Together these constitute the essential elements of what is effectively an internal GPS.
The economics prize goes to Jean Tirole. This is for a body of work rather than any single significant discovery so it’s harder to summarize. Apparently his most important work lies in clarifying how to understand and regulate industries that are dominated by a few powerful firms. He also showed that regulation needs to be adapted to the conditions specific to each industry.
This one was put on my list when Robin Williams’ death reminded me that I’d always wanted to watch The Fisher King. I’ve seen snippets of it over the years, most memorably scenes of a monstrous red knight bearing down on a terrified Williams in New York city, but have never actually watched the whole thing. Given its title, I was also curious about how the storyline ties in with the Arthurian legend.
Like most people, the first I heard about this film was the shocking news, certainly spread for publicity reasons, that it would feature big name actors and actresses having unsimulated sex. As it turned out, professional pornography performers were actually used and the faces of the familiar actors and actresses digitally composited onto the naked bodies. Combine this with the famous posters of the well known actors and actresses making orgasm faces, and it’s clear that the producers were going for maximum shock value. For this reason, I chose to watch only the first volume of the film for fear that it might turn out to be terrible.