Elizabeth Moss once again impresses in an independent film that even if it isn’t quite great, is at least highly interesting. Shirley Jackson is of course a real American novelist and while the characters and circumstances of this film are based on her life, I don’t believe that this is intended to be a biography and should be thought of as fictional. Instead this is as much about a young couple who have come with Shirley and her husband as Shirley herself and, in line with the other works that Moss has recently appeared in, is about the woman’s place in a man’s world.
This film probably popularized the use of the Japanese word it is named after back in the day but it draws only shallowly from this exotic cultural reference. Similarly it has zero real emotional depth and a weak overarching plot. Still it is considered one of the most notable action movies ever made, being particularly well known for its car chase scenes. I also love its beautiful on-location shots. It is so great when American directors realize that there is so much more to France than just Paris.
Indian cinema is underrepresented here as the country generally is not thought to produce great films especially in the modern era. Yet it would not do to skip over this particular title, a film that was far ahead of its time and underappreciated in India itself when it was released but achieved great international success and is now regarded as one of the greatest films of all time. It is certainly difficult to imagine any film that better encapsulates the conflict of old money versus new money and the passing of the aristocratic era.
Since this book won the Hugo Award for Best Novel for 2020, I’ll take that to mean that I’m finally current on new science-fiction releases. Another problem I’ve been having recently is that even as I continue to read at least one traditionally published science-fiction or fantasy novel a month, I’ve been liking them a lot less than the web serials or even the random fanfiction which I read a ton of. Here at last is a novel that I solidly liked and would recommend, even though I think it is closer to being space opera than science-fiction. Admirable work by new writer Arkady Martine.
As I mentioned not so long ago, Adam Sandler actually is a fantastic actor despite the trashy films that he is most known for these days so its great to see him in fine form as he is here. This is effectively an in-depth psychological profile of someone of who is addicted not just to gambling but to winning the big score no matter what it takes in order to defy everyone else. It was made by brothers Josh and Benny Safdie whose film Good Time I’d previously featured here.
As always, it is real pleasure to be immersed in the cinema of a country for the first time, in this case Romania, so long as they are decently made. This one with its slew of honors including ones at Cannes more than qualifies and looks like it’s a brutally assessment of modern Romania. However it also make some directorial decisions that makes it feel oddly paced and ends on a somewhat unsatisfying note.
Commandos was one of the series of games that intrigued me but I never got around to playing any of them and now they seem too old to go back to. So along comes developer Mimimi Games who seems intent on single-handedly reviving this never very popular genre. This is described as a stealth-oriented real-time tactics game. It’s stealth as your characters can’t stand up to protracted combat and must rely on quietly taking out guards without alerting others. It’s real-time so there’s no way to pause to consider the situation and issue orders without time pressure. And I suppose it’s tactics because you’ll often need to have your characters work in concert to get past different obstacles and situations.
