Just a couple of months after Made You Look, here is another documentary about the art world. As you can see for yourself it’s about the famous Salvator Mundi painting, supposedly a long lost work by the hand of Leonardo da Vinci himself. I’d already read about this in the news but the full story here has plenty of detail that I wasn’t previously familiar with which makes it immensely interesting to me. Moreover I am fascinated that filmmaker Andreas Koefoed was able to secure the cooperation of many of the parties involved, including the Swiss businessman Yves Bouvier who is rather shady individual to say the least. Beyond the fascinating story of the painting itself, this also shows how money and political power shape the art world.

The announcement of Bruce Willis’ retirement from acting due to medical reasons has led to many retrospectives on his body of work. One of the most notorious of his films was this one which shocked everyone at the time with how bad it was when Willis was at the height of his career. This eventually did gain something of a cult following with fans claiming that this is so bad that it crosses over into being good. I’ve long wanted to watch this out of curiosity and I’m sad to report that this is just a plain bad movie. You can see in some places how it could have been decent and the character of Hudson Hawk himself does have some charm. But what we actually got was still trash and there’s no redeeming it.

We’ve watched and liked so many of Billy Wilder’s films that I’m always game for another one, especially one that was made in Europe and so might feel less American. Unfortunately with William Holden as the lead and the very Hollywood plot, this one still feels very American. The story relies on a huge twist that is revealed not at the end of the film but somewhere in the final third or so and so everything that is truly important all happened in the past. As the second last of Wilder’s feature films, it wasn’t rated very highly when it was released and although opinions of it have improved since then, I think this isn’t anything close to Wilder’s best work.

Here is another film that feels more like a documentary than anything with a straightforward narrative. It’s an account of the lifestyle of the African-American Gullah people who live on islands off the eastern coast of the United States. It’s a remarkable independent film made by Julie Dash, herself an African-American woman, as predictably no major studio would touch the project. While this is truly as spellbinding as everyone says it is, I fear that it is best to come prepared by reading up on the culture somewhat first as otherwise many details are likely to escape a casual audience.

This film appeared on my radar quite some time back because I hesitated over watching it due to its excessive gore. After a friend recommended it, we finally watched it and indeed this is so much blood and mutilation in it. But it’s also completely different from what I expected being a kind of science-fiction horror movie instead of a serial killer movie. I don’t really like it but I do have to admit it is a very unique and memorable film with strong themes of body dysmorphia and self-harm.