Category Archives: Science Fiction

The Windup Girl

I picked up The Windup Girl by Paolo Bacigalupi solely on the strength of the blurb advertising it as having won both the Hugo and the Nebula for best novel. Not bad for a debut novel by a relatively unknown writer. It turned out to be a very pleasant surprise and I was particularly impressed by how deftly it portrays Southeast Asia. While I have misgivings about the plot and how events rush to an unsatisfying end, I still consider it to be one of the best novels I’ve read in recent years (not that I’ve been reading much admittedly).

Despite the title, the real star of the show here is arguably the city of Bangkok itself which is where the novel is set. In the 23rd century, the rising waters caused by global warming has destroyed many cities and even entire countries. With the world’s fossil fuels all but depleted, globalization as we now know it, is no more. The most powerful entities are the biotechnology companies who feed the world using their genehacked crops, maintaining their dominance by employing bio-engineered plagues to destroy natural food sources and even sending in private armies to topple governments when necessary.

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Zendegi

But was she conscious – as much as the women who’d help build her would have been conscious if, for a few seconds, they’d forgotten themselves and focused entirely on their simple tasks: thinking of a word, matching a picture?

Still, at most it could only be a transient form of consciousness – with no conception of itself to underpin a fear of extinction. Splicing Fariba, and a thousand variants of her, into narratives in which they played no active part wouldn’t bolster their fragmentary minds into something more substantial; that was just the illusion that human players would receive. The Faribas would still live – if they lived at all – in an eternal present, doing their simple tasks over and over again, remembering nothing.

– Greg Egan in Zendegi

Perhaps the best thing that can be said about Greg Egan’s newest novel, Zendegi, is that it’s the most grounded and hence approachable of any of his books. Inspired by the real-life events in Iran in 2009 and backed by a personal trip that the author made to the country, the book starts out being more of a spy thriller than a hard science-fiction novel. In 2012 as Iran readies itself for a fresh round of parliamentary elections, Australian journalist Martin Seymour makes a break with his previous life as he is sent to cover them. However the elections turn out to be more exciting than anticipated when a scandal involving a member of Iran’s Guardian Council is unearthed, with Martin right in the heart of the events, making news rather than just covering it. This leads to a massive uprising that eventually leads to the reinstatement of true democracy in the country.

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The Fall of Hyperion

A lesser light once asked Ummon //
Please deliver this learner
from darkness and illusion
quickly \\//
Ummon answered //
What is the price of
fiberplastic
in Port Romance]

– Dan Simmons in The Fall of Hyperion

Over two years ago, I ended my post about Hyperion with a note saying how unlikely it would be for its sequel to be worthy of the standards set by that excellent novel. Having stumbled across the book in a store in Kuala Lumpur and having devoured it over the course of my holiday, I am sad to report that this is indeed the case.

The Fall of Hyperion is a much more conventional space opera tale than the original was. It does away with the frame story device that made the original so memorable and tells the story in a more straightforward manner. There are now two narrative threads, one continuing the story of the six remaining pilgrims as they finally reach the Time Tombs. The other focuses on the government of the Hegemony as they respond to imminent war with the Ousters while trying their best to keep track with what is happening with the pilgrims on Hyperion.

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Inception is a disappointment

As usual, I don’t write film reviews, only critiques and analyses, so get the hell away from this post if you have yet to watch this film. Come back only after you’ve done so.

Anyone who reads this blog should know that Christopher Nolan is easily my favorite director and that I eagerly look forward to every film that he makes. This has been true ever since I first discovered Memento. Since then, I’ve watched every one of his films, except for The Following, which I understand is sort of a student film made on a shoestring budget. With the sole exception of Insomnia, which, being an adaptation of a Norwegian film, is competent but otherwise unremarkable, all have been stellar.

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The New Space Opera

My wife mocks me for taking the better part of a year to get around to finishing this book. In my defense, I offer the following excuses:

  1. I’ve been busy catching up on my backlog of The Economist issues.
  2. With 18 stories in all, it’s a pretty hefty collection.
  3. Many of the stories are good but not great science fiction, and most would barely fit under the space opera label at all.

I don’t want to get into a lengthy discussion of what space opera is, let alone what “new space opera” would be. Suffice to say that old or new, space opera evokes images of starships and space battles, rip roaring action adventure on a grand scale and larger than life heroes. Think Star Wars instead of Star Trek (the pre-retcon version anyway). Most of the stories in The New Space Opera don’t really fit this mould.

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The end of the space shuttle

A timely post on QT3 today reminded me that the venerable space shuttle is scheduled for retirement this year. The current mission by the Atlantis is its last one. The last mission for Discovery is in September later this year and the last mission for Endeavor will be in November. Huge crowds are expected at Cape Canaveral for these final two launches. After that, NASA will be relying on Russian spacecraft for its missions until the alternatives currently under development by private companies like SpaceX and Orbital Sciences come to fruition.

It’s sort of hard to believe that the space shuttle has been in service for close to 30 years now given that it’s such a icon of technology and humanity’s ambitions for space. Reading through its extensive Wikipedia page however, it’s sobering to realize how much of it is still based on 1970s technology. Its computers are probably less powerful than the cheapest netbooks you can buy today. Until 2007, the shuttles could not even be used in missions that started at the end of December and ended in January of the next year as the software couldn’t handle the transition to a new year.

Yet back in the 1980s, the space shuttle seemed like only a foretaste of greater things to come. I remember newspaper articles crowing about space habitats and colonies, complete with artists’ renditions of such wonders as torus-shaped stations large enough to create their own gravity and grow their own crops. It’s pretty humbling how far back we’ve scaled our ambitions since then. In an age when governments are busy dealing with economic recessions and unemployment, it seems that even keeping the International Space Station from falling out of the sky is an achievement.

Even my own views on space exploration have come a long way since I was a kid. Back then, I’d have happily voted for any big ticket space project, regardless of cost. Nowadays, I see that these projects yield relatively few benefits other than prestige and that actually useful scientific work can be better performed with unmanned spacecraft and at far lower cost. It’s clever stuff like the Mars Pathfinder that is the future of NASA while the development of manned spacecraft should depend on its ability to sustain itself financially through space tourism.

Of course, the space shuttle has more than earned its place in history even if it did cost too much and didn’t do as much real science as its boosters like to pretend. It’s so recognizable and has fueled so many dreams that it simply can’t be otherwise. I understand that one of the shuttles is to be given to the Smithsonian Air and Space Museum while the two others will be sold off to private collectors. It would be interesting to see in whose hands they end being.

District 9: sci-fi action at its best

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I pretty much had to drag my wife to the cinema for this one after reading rave reviews of it on QT3. Peter Jackson’s involvement in the film, after what he gave us in the King Kong remake, was not a glowing endorsement to us. Luckily for me, both of us enjoyed it thoroughly and I recommend it highly to anyone who enjoys action films that don’t try to treat their audience as if they were 5 year-olds. The rest of this post will be chockful of spoilers so if you haven’t watched it yet, please go away and come back later.

District 9 opens using a mockumentary format that combined with its South African setting, draws us into a realistic depiction of a world in which a gigantic alien ship has mysteriously appeared overnight. However, the aliens the ship disgorges turn out to be neither enlightened beings here to lead humanity to a brighter future nor nefarious conquerors bent on world domination. Instead they are nothing more than starving and desperate refugees. Not since Alien Nation has a major film treated the issue of first contact with extraterrestrials in as mature and serious a manner.

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