I think this will be the last of the films of Yasujirō Ozu we’re going to watch. It’s as highly rated as the rest but is considered one of the director’s darkest films. Indeed if you’ve been frustrated by how the characters in Ozu’s films maintain their reserved demeanor and never break down despite their difficulties and stresses, this is the film for you. I don’t like this as much as the director’s other films. Perhaps this isn’t the most comfortable space for him to explore after all and even tries to end with a moralizing lesson. Still it’s a very strong film and it gives you a look at Ozu’s regular cast playing characters a little outside of their usual range.

I put this on my list because I wanted to watch a definitive and faithful adaptation of the play. I’m no expert on Shakespeare but this version does seem plenty authentic to me down to casting leads who are closer in age to the characters as originally intended and having the men wear ridiculous looking tights. Romeo and Juliet hasn’t been considered anything close to an admirable love story for a while now but watching this really drove it home for me what a terrible example the couple are. Shakespeare’s writing still shines even though the plot is dumb and it’s very satisfying to recognize how the lines here are reused just about everywhere.

I’ve never watched a film by Ryusuke Hamaguchi but in 2021 he shot to prominence by releasing two critically acclaimed film practically back to back. It took a while to get around to watch this, it being a three-hour film and I’m very glad when I did. This is exactly the kind of quiet, contemplative film that I like and it’s even a chance to get to know the work of Haruki Murakami a little. I don’t actually remember much of Vanya on 42nd Street but I did find it useful to understand a little more about the play at it center. I really enjoyed how dense this is with stories, meanings and subtleties.

Despite being a huge Star Trek fan, I’ve eschewed all of the newer live-action series and I’ve even decided to skip Picard because of how bad the reviews are and how people kept saying they’re not really Star Trek. I made an exception for Lower Decks which took the franchise in a different direction while still being in keeping with its spirit and now we have this series which is as pure original Star Trek as anyone could imagine. If anything this is a little too faithful as along with the idealism it also brings back a simplicity that is just too childish for my tastes these days. I enjoyed watching this season but I’m not sure I’m up for more.

So this is both a nature documentary and a love story of its two central characters. The two, Katia and Maurice Kraff, died in 1991 but they left behind plenty of footage they shot themselves. This film was made by Sara Dosa, apparently with the encouragement of some of the couple’s friends, to document their remarkable lives and their dedication to their chosen field: the study of volcanoes. It certainly makes for a unique documentary and the images they captured of volcanoes are mesmerizing. Unfortunately I don’t share their love for volcanoes so this isn’t the film for me but I do always enjoy learning about people who choose to live their lives in a way completely unimaginable to anyone else.

This is the middle part of the World of Apu trilogy that began with Pather Panchali. I was dismayed at how the first film existed almost purely to highlight poverty and this is even more so the case here. The life of Apu and especially his mother Sarbajaya is so miserable that this is very painful to watch. Nonetheless as a portrayal of life in India of the period, it is second to none and this particular installment even gives us a look into life in the city. Its depiction of the relationship between mother and son is also considered unusually frank for its era and apparently upset local audiences. It’s not an easy or pleasant film to watch but it is certainly a great one.

So what am I doing watching the fifth installment of a popular action movie franchise? Because it’s that good that’s why. This newest entry of the Predator franchise is perfectly named and given that it takes place in 1719 is technically a prequel to all the others. By now female protagonists of action movies aren’t rare and they even fall into familiar tropes. What blows me away is that the heroine here, Naru, wins not by being stronger, or more skilled, or faster, but by carefully observing what the enemy can do and being smarter. On top of that it makes great use of its historical setting and the action choreography is fantastic. It’s one of the best action movies I’ve watched, absolutely.