With all of the new streaming platforms furiously competing for subscribers, now is truly the Golden Age of television. There are far more shows I have some interest in than I have time to watch. My cinephile friend recommended this to us but we’ve been burned by Japanese anime before as they are usually too juvenile for our tastes. So it was with some reluctance that we dived into this and the early episodes seemed to only confirm our worst fears. However the pace picks up later and the first season ends on a rather strong note, so this turned out to be surprisingly good overall.
Obviously the big news in the Blender universe is that version 2.8 is now out of beta and they’re now evaluating a succession of release candidates. I told myself I would wait until it’s been officially released before switching to it as there is a lot of new stuff to learn and it’s going to take a while. However I did hear that it renders much faster and more importantly can seamlessly switch between GPU and CPU rendering modes as needed. This means no more crashes when running out of GPU memory.
After a spate of Disney CGI-heavy live-action remakes, here’s a palate cleanser featuring old fashioned hand drawn animation from Japan. With its heavy use of loud primary colors that makes it look very much like a comic book, this one looks even more traditional than usual. While its juvenile conception of romance is regrettably rooted in the young adult genre from which it was adapted, I do love its energy and originality. It’s easily one of the best animated films I’ve watched all year.
We keep going back in time for films by the Coen brothers and this is as far back as we can get as it is the very first feature film that they made. Apparently they had to scrounge for financing for a year after making a trailer for it on their own and yes, it does star an unrecognizably young Frances McDormand. It’s crude in some ways and bears some hallmarks of inexperienced directors but on the whole it is an excellent film and that is an impressive feat indeed.
Here’s another film by Noah Baumbach and he’s back working with his frequent collaborator and partner Greta Gerwig. One difference this time around is she isn’t playing the point of view character here as newcomer Lola Kirke is the lead. However she is credited as a co-scriptwriter, just as she was for Frances Ha, and I like how the two films share some similar themes.
I hate the idea of leaving games in my library unplayed so I’m determined at least to give a whirl to every one of the titles I bought a while back in the boardgames bundle. This one however is a worse candidate than usual because it’s one of those super social subjective judgment games. It does have AI and even comes with a single player Story Mode but this is really the kind of game that ought to be played in person with your friends.
Since Edgar Wright is mainly known as a director of comedy films, I initially dismissed this as more of the same, especially since my wife doesn’t get his English brand of humor. My cinephile friend told me that this is something else entirely and really quite good, so I put it on my list. But that was of course way after it had already finished its run in the cinemas.
