Tag Archives: game review

A Game: Far Cry 2

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Out of all the things that have been said of Far Cry 2, one single line by Kieron Gillen resonates most with me: this is one awfully brave game. Consider, for example, that you likely spend more time driving around dirt paths than shooting at enemies. Or that in a game that is supposed to present you with a realistic recreation of Africa, the only people who populate it are invariably and implacably hostile to you. Or that instead of drawing inspiration from Hollywood action movies like so many shooters do, the source material here is Joseph Conrad’s Heart of Darkness.

All this is brave because Far Cry 2 is unashamedly and undoubtedly a shooter. Given the goals it tries to accomplish and the design elements it tries to incorporate, one would think that it would make more sense for it to be a role-playing game or an action adventure game. But it’s not only a shooter but a first-person shooter with all of the conventions and controls of the genre. You move around with the familiar WASD, right-clicking zooms in on an enemy, use number keys to select weapons and generally try to kill everyone in sight. There is no Gears of Wars style cover system. If you want to take cover from enemy fire, you manually move to put an object between you and the enemy just as you did back in Doom.

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A Game: Armored Core Formula Front (PSP)

Since I knew I wouldn’t have access to my gaming PC over the Chinese New Year holidays, I made sure to have something to play on my PSP in the meantime and the game I picked was Armored Core: Formula Front. I’ve had an eye on this game for a while now but couldn’t find an English language version of it and playing such a complex game without being able to understand the on screen text was completely out of the question.

I’m normally not a fan of Japanese games, so I had to look it up to know that Armored Core refers to a fairly well established mecha action game series. This PSP version involves mecha as well, but the twist here that made me interested in this title in the first place is that you’re not really supposed to manually pilot the Armored Cores, as the mecha are known. Instead, you’re supposed to put together your own stable of ACs from a collection of parts, devise a strategy for them and the AI will try to implement your strategy as well as it can in a series of gladiatorial one-on-one fights against ACs from other teams. This makes it more of a strategy game than an action game as success depends on finding the optimal combination of parts to make an AC that’s well suited to carrying out a particular fighting strategy against enemies with specific builds and strategies of their own.

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A Game: Mercenaries 2

There’s really only one word to describe Pandemic Studios’ Mercenaries 2: World in Flames: explosions. Just about every gripe that you might have about this game can be rebutted with that one word. Are your eyes bleeding from the crappy graphics? Blow some stuff up and enjoy all the pretty explosions. Do you find the AI-controlled soldiers comically stupid? Fire a rocket-propelled grenade into their midst and watch the explosions toss them every which way. Are you cringing from the lame story and dialog? Call down a few airstrikes randomly to make yourself feel better.

Like its predecessor, Mercenaries 2 is a Grand Theft Auto clone, except that you’re not a two-bit hood but a grizzled mercenary and the open-world environment you’ll be gallivanting around in isn’t a metropolis, but a warzone. The game is set in a near future Venezuela (a fact which pisses off Hugo Chavez to no end) that is being fought over by various factions for its oil resources. Early on, the player is brought in to help a businessman mount a coup to take control of the country but is subsequently betrayed without being paid. This sets the stage for the player to exact his revenge, while earning a tidy profit by performing missions for the various factions vying for control of the country of course.

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A Game: The Witcher (Enhanced Edition)

If you’ve ever felt that every fantasy RPG always rehashes the same generic tropes over and over again, then you might want to check out The Witcher. The first release of the game last year by its Polish makers at CD Projeckt suffered from numerous technical hitches and a Polish-to-English translation that sometimes left players scratching their heads. Thankfully, the newly released Enhanced Edition of the game, available as free download for customers who had bought the original, fixes many of these problems and includes extended and fully voiced translations, so RPG fans have no excuse to put off buying this gem, even if it is still a bit unpolished.

The game is based on the Polish book series of the same name by Andrzej Sapkowski and as such is set in a medieval fantasy world with a distinctively eastern European twist. It is a grim and dangerous place where at night simple folk bar their doors and huddle safe in their houses while monsters roam at will. The player takes on the role of one Geralt of Rivia, the most famous of the few remaining witchers in the world who are tasked with defending humanity from these monsters, for a fee of course. As the game explicity states, witchers aren’t noble knights in shining armour, and as you’ll soon learn over the course of this game, there’s no unalloyed good in the world since everyone, and I mean everyone, has an angle.

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A Game: Medieval 2

I’ve long had a love-hate relationship with Creative Assembly’s Total War series. On the love side of the equation, the basic formula of a turn-based strategic game coupled with real-time combat, unchanged since Shogun: Total War was released in 2000, is supremely satisfying. The combination of deep decision-making played out on the grand stage of history with a graphically rich and detailed tactical combat phase just scratches all the right strategy itches. At this point, I’d play total war anything. Robotech: Total War? Warhammer Fantasy: Total War? Romance of the Three Kingdoms: Total War? If they’ll make it I’ll buy it.

On the other hand, CA’s failure to update the interface for the strategic portion of the game is an endless source of frustration. It is wholly unacceptable that the Total War games still don’t have the basic tools to streamline gameplay, such as the ability to quickly check which units still have unused movement points, that the Civilization series has had since its inception. This means that actually playing through an epic campaign is unnecessarily daunting and time consuming. Medieval 2 continues this trend and actually adds to it by making the strategic portion more complex compared to previous games. This means that the latest game in the series is epic, beautiful and grand, but, boy, but does it take a long time to actually get through a campaign.

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A Game: Mass Effect (PC)

By all reasonable metrics, Mass Effect should be a thoroughly average game. Its FPS mechanics are mediocre at best, the vehicle portion of the game features a tank with laughably bouncy and unrealistic handling, many aspects of its interface are an exercise in frustration and its idea of a massive space station holding millions of inhabitants is a handful of sparsely populated rooms connected by elevators and corridors. Yet for all that it is still easily the best 2008 game that I’ve played so far this year and that’s because it’s a game that is so much more than the sum of its parts.

Bioware’s latest and greatest RPG that was released for the PC only this year is a mishmash of game types. Superficially it bears a striking resemblance to its celebrated predecessor, Knights of the Old Republic, and indeed you can think of it as Bioware’s attempt to make another Star Wars RPG without actually having the rights to the license. However, instead of KOTOR’s turn-based combat mechanics that looked and felt real-time but were really determined by behind-the-scenes hit ratings and die rolls, Mass Effect is a fully-fledged, hit-box based FPS. In addition, certain segments of the game put you in control of the Mako, a sort of all-terrain wheeled tank armed with a cannon and a machinegun. At the same time, it’s also an RPG with a well developed story, nearly enough sidequests to rival Oblivion and a large amount of dialogue, all of which is wonderfully voice acted. Finally, you are given control of a starship with which to explore the galaxy and one of the many ways to earn money is to survey uncharted planets for resources. To long-time computer gamers, all of this is reminiscent of the classic game Starflight which is already sufficient reason to forgive many of the game’s flaws.

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A Game: Assassin’s Creed (PC)

For a game that got into the news so often for all the wrong reasons, beginning with the torrid Jade Raymond affair, to complaints about the unfamiliar controls to the early leak of the PC version and Ubisoft’s subsequent decision to sue the source of the leak for a ridiculous sum of damages, Assassin’s Creed turned out for me to a surprisingly good game. After all, the basic premise of the game sounds fantastic: play as a member of the Hashahin, the original brotherhood of assassins from which the English word “assassin” is itself derived, in the sand-box environment of the Holy Land while the Crusades are raging. There is plenty to be impressed with by this game, so it’s all the more disappointing that it gets so many basic elements so wrong.

First the good stuff. Most of the player’s time is spent controlling Altair, who starts out as an accomplished but somewhat cocky member of the brotherhood. The brotherhood’s aim, as stated by its leader Al Mualim,  is to achieve peace in the Holy Land, and as such Altair is sent to assassinate critical targets from both sides of the war, Saracen and Crusader, in order to put an end to the fighting. And I’m not joking when I say that Altair is an accomplished assassin. He can navigate the environment so well, leaping from rooftop to rooftop, clambering up walls and barrelling through crowds that he’d put Lara Croft to shame. He can walk up to a target and effortlessly kill someone so quietly with a hidden blade that someone standing ten paces away won’t even notice. All of these feats are easy to accomplish with the controls, even if they are a bit esoteric and take some effort to learn. Some critics have complained that the near-automatic execution of the parkour-style moves, since Altair will always perform the move most appropriate to the context and the environment, sacrifices actual gameplay for cool visuals. I heartily applaud it however. If I’m supposed to be controlling a skilled assassin, I don’t want to fight the controls to do the cool moves, I want to just be able to tell Altair what I want to do, and he’ll do it.

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