Here’s something a little different, a Hebrew-language television series from Israel that was highly successful some years back. I first learned about this years ago when it was featured by The Economist and kept running into references to it here and there but as you can expect, trying to actually watch it before streaming became commonplace was difficult. But I never forgot about this and kept it on my watch list and so here we are.

So we finally sat down to watch The Irishman which really is quite an endeavor given its length and I can’t say that I enjoyed the experience much at all. Given that it’s by Martin Scorsese and all of the accolades it picked up, we couldn’t have skipped it but perhaps we should have as it feels like a retread of the director’s greatest hits, complete with his favorite actors, plot points, themes and characterizations. It’s excellent work to be certain but it all feels like something we’ve seen before, stretched out to epic length.

I’d planned on watching this a little earlier but it does seem appropriate to watch this alongside the drama of the 2020 US elections. This is a documentary that tells the story of how Dilma Rousseff was impeached as president of Brazil and how Luiz Inácio Lula da Silva ended up being imprisoned. It is highly relevant to Brazil’s current situation as the eventual victor of the whole kerfuffle is Jair Bolsonaro who remains president today.

My days of reading H.P. Lovecraft are long behind me and though I’m now innured to the literary tricks that he used to infuse his stories with mystery and horror and I’m wise to the more problematic elements in his characters, reading them is still a treasured childhood memory. Given how pervasive Lovecraft’s influence has been, it’s been mind-boggling that no one has thus far made a good adaptation of his work. Some have tried, but they’ve mostly been low budget, poor quality stuff. This particular film isn’t completely faithful to the short story but I think it’s good enough that we can consider it a success.

Films about a group being uplifted through the power of music is a genre in of itself, especially when it’s literally a group of children as it is here. Not actually being much of a fan of rock music, I had no real interest in this film save that it was directed by Richard Linklater and because it inspired a stage musical version by Andrew Lloyd Webber. Now that I am much more interested in.

This is a small Spanish science-fiction film that has garnered quite a bit of international attention, especially after most of the world entered lockdown due to the ongoing pandemic. I think it’s more of a horror movie than science-fiction however and is more about slick presentation than meaningful substance. It is after the debut feature of Galder Gaztelu-Urrutia who before this directed commercials.