Tag Archives: Films & Television

The Golden Age of Comic Book Movies

I realized after watching The Dark Knight last weekend that ever since Iron Man in May, nearly every movie that I paid to watch in a cinema has been a comic book movie. The sole exception was Indiana Jones and the Kingdom of the Crystal Skull, but Indy’s roots lie in pulp comics anyway, so in a way, that still counts. I suppose that this is partly due to the current state of film-making and CGI technology that allows directors to fully recreate the fantastic visuals of the comic book medium on the big screen and partly due to the successes of X-Men in 2000 and Spider-Man in 2002, which opened the eyes of the studio bosses to the commercial lucrativeness of comic book licenses. Not every comic book movie since then has been a success, Spider-Man 3 in particular was a disappointing dud even with Sam Raimi still at the helm, but there have been enough films that “get it” to make this a great time to be alive for a comic book fan. Here’s a quick recap of the comic book movies that I’ve watched so far this year.

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A Film: The 11th Hour

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Courtesy of my friend Kien Boon of Boonuhkau, I had the opportunity of watching The 11th Hour at the KL Pac in Sentul on Sunday. It was my first visit to the KL Pac or even anywhere inside the new Sentul development zone and I have to admit that they did a great job in making the area look like an oasis of serenity in the middle of busy and dirty Kuala Lumpur. The price to pay of course is the prominent advertising everywhere on behalf of YTL Corporation, including brightly illuminated banners on both sides of the stage that remained lighted throughout the film and that we felt detracted from the experience of watching it. Nevertheless, it’s heartening to see a new addition to the cultural scene in Malaysia and my wife and I will be paying attention to what performances are going on there from time to time.

The film itself is a slickly produced documentary on environmentalism, focusing on global warming, that was apparently a personal project of Leonardo DiCaprio. As a long time skeptic on environmentalism, it shouldn’t be a surprise that I strongly disliked the film. Not only is it an example of hysterical scare-mongering of the worst sort, it ends up being inconsistent in its message and ultimately contributes nothing new to the subject. Worst of all, it preaches straight to the choir of the green movement, shying away from perspectives and solutions that could be beneficial but are controversial and unpopular among green groups.

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