Europeans make so many films about the Holocaust that watching yet another one isn’t particularly interesting to me. Jonathan Glazer’s newest one however takes a completely different tack by not showing a single Jewish victim at all. Instead it focuses on the home life of Auschwitz commandant Rudolf Höss whose family has established a mundane and pleasant existence just outside the camp’s walls. There is effectively no plot as it merely shows their everyday routines. Glazer claims that he aimed to demystify the perpetrators of the Holocaust to show that they are not evil in the mythological sense. Yet they most certainly are evil at least in the ordinary sense for being able to enjoy life under such horrendous circumstances.
Again not that much in the way of science news. The online discourse is being completely dominated by the fallout from the elections in the US.
The most controversial story making the rounds this months is the one about a scientist who treated her own breast cancer by injecting lab-grown viruses into the tumor. The case itself isn’t particularly novel as the treatment known as oncolytic virotherapy is already being tested elsewhere. It involves using viruses to attack cancerous cells and provoke the immune system to fight them. In this case, the scientist in question, Beata Halassy, used two viruses, a measles virus and a vesicular stomatitis virus. What provoked controversy is that this treatment has obviously not been approved by any government regulator and so Halassy took matters into her own hands. As far as my concerned, it’s her body and her choice to make so there’s no question about this being ethical or not. In any case, it’s been working so far as this happened four years ago and the results are only being published now.
There’s an ever growing body of evidence that the new class of weight-loss drugs, GLP-1 receptor agonists, offer an entire host of health benefits beyond just weight loss. I’m not arguing to the contrary of course but it’s also worth paying attention to the possible side effects and other consequences of long-term use. This new paper claims the use of these drugs also lead to substantial loss of muscle tissue. It hasn’t established that the loss is greater than what would be expected from the weight loss itself but it’s still a matter of some concern.
Finally things are moving in the world of physics with regards to what dark energy actually is. I won’t go into the whole mess of why the concept of dark energy is needed to explain why the universe looks as it does as that is a whole other story. What’s new here is that we now have new data from the Dark Energy Spectroscopic Instrument (DESI). The instrument found that the density of dark energy seems to increase over time. This increase is consistent with formation of new black holes as massive stars die and is being interpretated as evidence in favor of the view that there is a fundamental coupling between dark energy and black holes. All this is far above my level of comprehension and as far as I can tell, this is only one of several other possible changes to how dark energy is being viewed. Still, it does seem that we must brace ourselves for some major revisions on what the current consensus in cosmology is.
Given its subject matter, it’s particularly poignant to watch this now as Donald Trump has just won the election to once again become the president of the United States. This short film effectively consists of just one extended scene in which FBI agents arrive at the home of Reality Winner, a US Air Force veteran and translator for the NSA, and interrogate her. All dialogue is taken from the recording made by the FBI itself, with portions redacted as per the transcript. It’s remarkable how much tension director Tina Satter was able to inject into the material and it works especially well if you have no idea who Reality Winner is before watching this.
I briefly considered the recent Steven Spielberg remake but it received only middling reviews and I realized I’d never seen the original anyway. I wasn’t too enthusiastic either about watching yet another iteration of Rome and Juliet but I should do it anyway as a kind of completionist achievement. Unfortunately I found it to be fairly underwhelming. It’s a dance-centric rather than a music-centric and almost all of its songs are forgettable. The two sides, the Sharks and the Jets, are very much not equal as the Puerto Rican Sharks have a far more compelling story to tell. I think I prefer pretty much any of the other versions of the familiar story to this.
This was popular for a while when it was in Early Access but I usually wait until a game is finished before even considering buying it. Unfortunately this seems to be one of those cases when the finished game is worse than the work in progress version as the campaign is a real slog to get through and they even took out some ease-of-life features. The scenarios are quite difficult and they made an iron man style mandatory. It’s quite impressive how they’re not afraid of throwing absolutely massive hordes at zombies at you, but in the end it’s not worth the aggravation and I didn’t finish the game.
There’s no indication of it in the film itself, but this was based on the real-life murder of an infant by her mother in France and director Alice Diop attended the trial just as the main character here does. As a courtroom drama, it’s very talky with long scenes of the characters delivering their statements. It’s also a case in which all of the facts seem immediately clear, plain as day. Yet the lesson Diop teaches here is that there is still the matter of perspective as each person presents the facts in a way that benefits themselves as we struggle to understand the incomprehensible horror of why a mother would kill her own child.
My wife felt like a change from the usual television shows that we watch and wanted to try a cooking show. The latest season of this long-running, award-winning show popped up on Netflix, with each season focusing on a different cuisine, so I thought we’d check it out. Each episode is indeed filled with exquisite visuals of perfectly crafted dishes but the focus is really on the biographies of noteworthy chefs rather than the food itself. It’s okay but not really what we were looking for so we’re glad it’s only four episodes.
