This Pixar film didn’t seem to make much of a splash on its release and I even preferred to watch Turning Red from a year later before this. I came back to this after seeing some beautiful still images of the fictional town of Portorosso it is set in and realized that it’s inspired by Italian culture. Pretty as its art is, its themes and its story make it too juvenile to take seriously and its references to Italy too generic to be meaningful. It’s watchable but it feels almost boring next to Turning Red.

I had this pegged as an American film on my list, was surprised to see the opening set in London and that’s it’s full of British characters and then later read that it is American after all. That actually makes sense given how much it exaggerates English mannerisms and makes fun of how one is supposed to behave according to one’s class from a perspective of an outsider to their society. Unfortunately while this film has its amusing moments, its many flaws causes it to fall short of true greatness and it isn’t that memorable.

Every one of Satyajit Ray’s films we’ve seen so far has been at the very least strong contenders and this one impresses us once again as a powerful invective against traditional superstition. I particularly love how this film very small and yet very large at the same time. It’s based on a short story and limits its scenes entirely to one family and their household. Yet its themes encompass the pantheon of Hindu deities and carry all of the weight of tradition, the patriarchy and wealth. It says so much and so powerfully in one compact package.

I’m not really an enthusiastic fan of the films of Wes Anderson even if I tend to enjoy them and this newest one makes for a pretty good illustration of why. It’s almost pure style with no real underlying theme except for a love of its setting. There’s no character development and it actively tries to avoid emotional engagement. Anderson himself calls it a love letter to journalists, well, maybe a very specific kind of foreign correspondent from a bygone era. But it feels to me like more of a tribute to France, at or at least a kind of idealized France of the 1960s according to the American imagination. It’s supremely gorgeous and fun but ultimately feels hollow and unsatisfying.

Ran was Akira Kurosawa’s last epic and is one of his most famous films despite it being made so late in his career. It’s considered an adaptation of Shakespeare’s King Lear though it seems that the director was originally inspired by a real figure from Japanese history Mōri Motonari. While Kurosawa was never a very subtle director, I found this to be much too heavy-handed and obvious for my tastes, like a lavish, exaggerated stage play. It does look incredibly beautiful and being the most expensive Japanese film ever made at the time, features some of the most impressive large-scale period battles put on film. It even manages to convey the effective use of tactics to win battles!

This series may consist of only three episodes but the total running time adds up to over eight hours. Even if it’s The Beatles, it gets boring watching four guys muck about the studio just doing their own thing. I’m not a particular fan of the group but I persevered anyway, treating it as a kind of inside look on the creative processes of genius musicians as well as their group dynamics. Plus of course it’s fun to listen to their performances as they experiment with different variations and even do covers of other people’s music to warm up or relax.

I added this onto my watchlist more out of sense of obligation than anything else as it was one of the big winners at last year’s Oscars. For a while this film fell on the wrong side of being too sickly sweet for me but it did eventually win me over when it focused on how the main character’s ability to hear is making her deaf family too dependent on her. I note that this is a remake of a French film but the original wasn’t notable enough to register on my radar. Out of curiosity, I sought out its trailer to take a look and yeah, it’s so similar down to the sex jokes that there’s no point in watching it. This not being a very consequential film anyway, I’m actually kind of glad that I watched this American version as its production values are visibly better.