This is the first novel of The Witcher series proper as the first two books were collections of short stories. Intriguingly, it feels less like Geralt’s story than that of Ciri and one does feel the stage becoming bigger as we gear up to events that change the fate of nations, including the human-scale stories of the previous books. It also marks the first appearance of Triss Merigold and it’s rather surprising that Triss plays the part of the mother figure to Ciri before Yennefer comes into the picture.
This was a finalist for the Hugo and Nebula Awards though it ended up winning neither of them. I was intrigued by a Broken Forum member describing its premise as a science-fiction mystery novel. Unfortunately the premise is the best thing about the novel. Though author Mur Lafferty sets up the mystery beautifully, the way it plays out wasn’t satisfying to me as the plot revolves around a single malefactor whose identity can easily be predicted by the reader but is pieced together by the characters only at the end of the novel.
So yeah, I’ve never read Isaac Asimov’s Foundation books before this which is embarrassing for a fan of science-fiction. I’ve read plenty of his short stories and even one or two his Robots novels but never any of the Foundation books themselves. I’ve inevitably absorbed some of what it’s about through cultural osmosis but I suppose it’s high time that I actually read them for myself.
So I decided to pay a bit more attention at what happens at the Hugo and Nebula Awards every year. Browsing through the list of nominees, I noticed this among the novellas, a work by a relatively new Singaporean writer JY Yang that is sometimes described as being in the ‘silkpunk’ genre. It was published together with the second book of the series Red Threads of Fortune as a bit of an experiment though each is short enough that I wonder why they didn’t just sell it as a single book. I only bought this one first to check it out however.
This is a novel that I would never have known about if not for the recommendation in What Makes This Book So Great. It was successful enough to spawn sequels but author George Alec Effinger died before a fourth book could be completed and the series never seemed to have won any major awards. Apparently a supplement for this setting was made for the pencil and paper role-playing game Cyberpunk 2020 which I do own.
After being overwhelmed by the sophistication of Stars in My Pocket Like Grains of Sand, I approached this earlier novel by Samuel Delany with some trepidation. In retrospect, I needn’t have worried as it is a much shorter and simpler work. Though it is thematically rich with plentiful references to mythology, contemporary events at the time of the novel’s writing, art and much more, I think the plot is a little too straightforward and I’m not sure that its central theory on the relationship between people and the work they holds up well.
When I wrote my post about The Fifth Season I said I would be onboard for the next book and so here I am. Even so I am a little miffed that both books won Hugo Awards and the third book is similarly on track to do so. The rest of the nominees are no better, being novels that are part of a series by the same authors who win year after year. It’s honestly rather boring so it’s no wonder why Liu Cixin’s win in 2015 was such a breath of fresh air even if I didn’t like the book very much.
