Obviously generative AI is the in-thing now. I’ve been playing around with ChatGPT and every one of the publicly available models for months now and it really makes me feel like we’re living in a sci-fi scenario. There are new announcements in the field practically every day and it’s exciting to try to keep up.
We’ll still start with some non-AI news first. Most people will have heard of how sperm counts in men have been falling. This study talks about how men who do physically demanding jobs have much higher sperm counts compared to the baseline. This may be linked to how they also have higher testosterone levels. Most other studies don’t show a direct link between testosterone levels and sperm count but it’s possible that they could be linked in more indirect ways.
Next we have a story about an American man who developed an Irish accent after being afflicted with prostate cancer. This is thought to be an instance of paraneoplastic neurological disorder in which a cancer patient’s nervous system is attacked by their immune system. This isn’t an altogether new finding but it is the first instance of the cause being prostate cancer metastasizing and affecting the brain. Plus I’m always fascinated by how personalities and demeanors of people can change drastically as a result of injury or disease.
There are far too many announcements in the AI space to cover so I’ll limit myself to news that is more applicable to the mainstream. By now most people will have heard of GPT4 and how it accepts images as an input, in addition to text. This article goes more deeply into such multimodal inputs for AI, integrating text, images, video and sound. It talks specifically about an in-house model made by Microsoft called Kosmos-1 that is unavailable to the general public and is supposedly far better than anything else. The important thing is that such a model would be much closer to a general purpose AI that we think of in science-fiction, able to receive all manner of sensory input from the outside world and respond accordingly.
Next is a paper about the image generation model Stable Diffusion. The researchers talk about how they are able to take images of human brain activity from fMRI and run them through the model to reconstruct an image of what the human subject was seeing at the time of the FMRI scanning. The results are extremely impressive and the surprising thing is that the model is able to do this without any additional training or fine-tuning.
This is a Romanian critically acclaimed film that opens with an explicit amateur porn scene so it’s definitely not for the faint hearted. Perhaps even more daunting is a montage in the middle that amounts to director Radu Jude offering his thoughts on a series of loaded words. To me this film certainly makes for a strong artistic statement but I can’t say that I like it all that much. I do appreciate it for providing an excellent window into what modern Romanian society is like and I was even stunned by how similar the Romanian language sounds to French!
I’ve already given up on the MCU and I wouldn’t even be watching this if it weren’t because it was directed by Sam Raimi. I was curious about this being an MCU horror movie and I still have enough affection for Raimi’s early work to see what he could do. As it turns out, this is an extremely Raimi film and you can recognize the director’s characteristic style from his earliest days everywhere in this. The bad news is that this is not at all a good thing as he can’t seem to resist indulging in his old bag of tricks even when it’s wildly inappropriate. The result is visually entertaining but also tonally inconsistent and emotionally dead. It’s not among the worst of the MCU films but it’s not great either.
I’m a bit of a sucker for games that manage to combine mechanics with story in interesting ways, especially with this being about playing a king who has to balance the needs of his country and also his family. Unfortunately I don’t think this counts as one of the successful examples as too often it’s difficult to tell which outcomes are hardcoded to happen no matter what you do and how much your decisions actually matter. It’s also an odd combination of sometimes being cutesy and other times being horrifically dark. I laud its makers for their boldness in creating what is in effect a very grim fairy tale but in the end, this isn’t a game that really worked for me.
Elia Kazan and Tennessee Williams are of course the creative team who made A Streetcar Named Desire. This one was made five years later and it’s immediately apparent from its opening scenes that it shares the same DNA. Unfortunately while there are strong scenes in it and there’s no way that the characters in it can be said to be psychologically uninteresting, this is a case of the whole being lesser than the sum of its parts. None of the characters in it are remotely likable and the whole film oozes with filth and nastiness, yet somehow it is mockingly framed as a comedy. I don’t understand the rationale behind many of the creative decisions here and I don’t like the film. Nonetheless I can recognize the genius of Kazan and Williams in it.
Céline Sciamma is rapidly becoming my favorite modern French director with her women-focused films. Here is another, about the relationship between a child and her mother told in a manner surely no one will expect. I love how complete and perfect this work is: the excellence of the performances of the two child actresses who carry the film, the accurate yet subtle insight into how children are dismissed by adults and all of it in a package only a little over an hour. It’s a wonderful example of compact, economical filmmaking that I will recommend to everyone I know.
I added this onto my watchlist purely because of Ridley Scott’s name and because the subject matter seemed promising. But I really should have heeded the atrocious reviews because this film is so mediocre I wondered why Scott wanted to take this project on. This isn’t about fashion or even the world of luxury goods at all but rather is about a feud within the Gucci family that would eventually lead to the murder of Maurizio Gucci in 1995. The characters are businesspeople not artists or craftsmen and it’s not even a particularly serious depiction of business. Lady Gaga gives her all to her role as Patrizia Reggiani but everyone just seems to be going through the motions. Since everyone doesn’t seem much bothered, I don’t see why the audience should either.
