The adorable animal that is threatened by big business only to be saved by its loving family is a genre in itself and not one that is particularly appealing to me. They are basically children’s films. Still, Boon Joon-ho has a track record that is good enough to give him the benefit of the doubt and I rather like the idea of watching more Hollywood stars working under his direction.
So I’ve been playing Fallout 4 for a while now. I got way more engaged in it than I thought I would considering that my initial impression of it is that its production values are barely any better than the previous game and there are all kinds of annoying bugs and glitches. But the sheer size of the game and the variety of the environments you can explore really won me over. The settlement construction portion of the game is both frustrating and time consuming but I have to admit that it’s pretty addictive.
We’ve previously watched director Andrey Zvyagintsev’s Leviathan and loved it so getting recommendations for this one from friends and The Economist wasn’t really necessary. Though internationally successful, Leviathan made the director unpopular with the Russian government especially since he had accepted government money to make it. Loveless seems to have been mostly made with foreign funds but at least its production wasn’t banned.
This marks the third film we’ve watched by Seijun Suzuki, surely one of the most unusual directors Japan has ever produced. Unlike Branded to Kill and Tokyo Drifter however this one is not about gangsters even if it does star Joe Shishido with his famous, artificially-enhanced cheekbones. Instead it’s about a group of prostitutes in Tokyo immediately following Japan’s defeat in the Second World War.
This is another unlooked for small budget independent film that I knew about only due to being recommended by our cinephile friend. Director Trey Edward Shults is still so new at it that he has to boast about working for Terrence Malick on his Wikipedia page. No big names among the cast either though a couple of faces may be familiar.
So we’ve watched Indian versions of popular genres like comedies and action movies, but I do believe that this is the first time we’ve seen an Indian thriller. This one even distinguishes itself by having a female protagonist and takes itself so seriously that there are no song and dance routines.
This film gained our attention when we caught one of its trailers in the cinema and of course as a serious film it went on to be nominated for several Oscars. I’m not sure we would have been interested in this ordinarily but we had a free evening in KL recently and as I knew that this was only shown in a limited number of places in Malaysia, we took the opportunity to watch it.