This was Ingmar Bergman’s first English-language film, or at least many parts of it are in English anyway, and he also called it the first love story film he ever made. Unlike the rest of the director’s filmography, this one has very low ratings and it left me frustrated with its abrupt ending and deliberate ambiguity. Nonetheless it is a very visceral depiction of raw passion and it’s loaded with references to religious imagery to grant it some deeper meaning. It may not be Bergman’s best work but I think it deserves a better reputation than what it currently has.
I loved Knives Out so much I wanted to watch this in the cinemas the moment it came out. Unfortunately this turned out to be streaming only so it took me until now to get around to it. This is a sequel only in that it features Benoit Blanc as the investigator of a murder mystery but it keeps the same style and the large ensemble cast and that’s good enough for me. Sequels are generally not as good as the film that spawned and this is the case here as well. It’s too heavy-handed on the whole Glass Onion metaphor and the murderer’s plan is indeed really dumb even if that is the entire point. Still this is probably still the best whodunit since the first film and I enjoyed every moment of it.
Feels like we’ve been watching too many films about mountain climbing recently so I should try to cut down on them. This one at least is a little different being a French language animated film that is an adaptation of a Japanese manga series. As the story is wholly fictional, it is allowed to take a far darker turn than any film about real life climbers who mostly want to be seen as inspirational. So while the characters here are just as obsessed with mountaineering as the real climbers we’ve seen, here it is portrayed almost as a kind of curse and that plus the fact that this one is animated marks it as being different from the other films.
Plenty of science news this month but I’ve avoided talking about AI. Things are moving too fast in that space and with everything still up in the air, it seems unwise to tout early findings and announcements before things have settled down.
Almost all of the stuff I have this month are about biology so we’ll start with the ones that aren’t. This article talks about reliable methods to detect when someone is lying. Obviously there are all kinds of devices that purport to do so with dubious efficacy and law enforcement officers are trained to look for telltale signals. This group of researchers posit that it is necessary to look for only one type of signal: the level of detail in the story the person is telling. They even tested this by separating groups of students who really did an activity and who were told to simply lie about it. Those who actually did were able to provide much more detail in their account and that in turn is a more reliable method of telling who is lying and who isn’t.
Next we have a paper about a particular Mayan calendar which had stumped researchers for a long time. The calendar is known for having a 819-day cycle and researchers had difficulty synchronizing it to the movements of the visible planets. This paper shows that by increasing the length of the calendar to 20 periods of 819-days, it is possible to create a pattern that matches with the synodic periods of all of the planets visible to the Mayan civilization. What blows my mind is that this is effectively a 45-year calendar proving just how long the Mayans must have watched the skies to learn and understand the larger cycle.
Moving on to biology, we have a paper that discusses how plants emit ultrasonic sounds when under stress. The experiments they conduct confirm that plants do emit airborne sound that can recorded using microphones but that machine learning models that differentiate between the sounds to tell when the plants are stressed by drought, cut or normal. To be fair, this doesn’t mean that plants are sentient as they lack a nervous system and the sounds that are being emitted are most likely a physiological consequence of the different conditions they are subjected. But as the authors note, this is still information that can be used, either by humans or other plants and animals in the vicinity.
Next we have two articles that are vaguely related. First is further news about the discovery of fungi that can consume plastics, specifically polypropylene that is used in takeaway containers and cling film. The fungi are already naturally present in plants and soil so there is no fear of them being dangerous. It still takes a great deal of time to fully degrade the plastics though the process is accelerated by ultraviolet light and heat. But if it could be scaled up, this could be very useful way of breaking down plastic waste so that it won’t stay forever in the environment.
In what makes for a great example of the familiar ‘life finds a way’ tagline, researchers have discovered that coastal creatures have made the so-called Great Pacific Garbage Patch their home. This is the well known concentration of plastic debris in the Pacific Ocean that most people will have already heard of. The researchers found that many species of coastal organisms, meaning crabs and anemones that usually live in coastal areas and not in the middle of the ocean, are colonizing the plastic waste and forming communities there. Of course the garbage patch remains a problem but it serves as a powerful reminder to us that life adapts and goes on in spite of what humans do.
Finally on a lighter note, here’s an article about how pet parrots were taught to use touchscreens to make video calls. They found that the parrots were indeed able to make such calls to other birds and seemed to enjoy socializing with each other through the screen. The project is too small in scale to draw firm conclusions but as parrots are usually kept as solitary pets while they live in flocks in the wild, this may actually be a useful way to help alleviate the psychological issues that many pet birds develop.
Once again I’m not a foodie so I hardly need much convincing that avant-garde haute cuisine is a ripe subject matter for mockery. Still, this exceeded my every expectation in how perfectly crafted it was and as I suspected would be the case, my wife was riveted too. The increasingly pretentiousness of the menu is expected and so too is the pivot to full on horror. What I didn’t expect is how it managed to work in passable backstories for all of the diners and tie everything together so well. It’s fantastic as comedy and a send-up of food culture and honestly one of the better all round films I’ve seen recently.
After years of not a single Malaysian film being featured here, we’ve seen a succession of them recently. This is a Malay language film to boot and was shot in black and white giving it an artistic flair. I really wanted to like this one and indeed the premise of a Malay man from Pahang trying to get by in Kuala Lumpur has a lot of promise. Unfortunately the film’s idea of a main plot is weak and makes poor use of the main character. Bella is a terrible supporting character and every interaction they have together is so clichéd and unconvincing that it really brings down the entire film. It’s still worth watching in my opinion for its portrayal of Kuala Lumpur but it could have been truly great.
Just a quick write-up on the expansion for the game. Like many modern DLCs, this one is set in a separate area of the game and chronologically takes place shortly before the final battle. As far as I’m concerned it’s a near perfect DLC: the frozen lands of the new area is different enough to feel fresh, the enemies are harder but still a logical expansion of the original ones, and I loved how you actually do get to talk to an AI at the end.
