I have a soft spot for the Warhammer 40k turn-based games and this one even covers a more rarely seen faction: the Adeptus Mechanicus of the Imperium of Man. It seems obvious in retrospect how interesting it would be to pit them against the Necrons but it has never occurred to me either. What happens when the Mechanicus, who replace pieces of their flesh with cybernetics, encounters the Necrons who completed the same transition eons ago? This is a squad scale game so you actually are controlling individual Techpriests and their Skitarii soldiers as they explore a Necron tomb world. The upside is that it has enough customization options and novel mechanics to make it interesting. The downside is that it soon gets repetitive and is probably too easy.
This Catalan film has such a strong sense of place that it almost feels like it’s cheating. It features scenic shots of a beautiful farm, a cast of characters that spans multiple generations of the same family, and is absolutely crammed with cultural details specific to the region of Alcarràs. In short, it’s a prime exemplar of my previously stated dictum that films should be as local as possible. It can feel a little underwhelming given that there are no great insights on offer here. It’s all about showing what daily life is like to the farmers of the region and what their contemporary concerns but that’s just how I like it.
With its title, this sounds like it should be a truly terrifying horror film but it’s really a samurai drama. What’s more, it begins with plenty of action, a depiction of the real Heiji rebellion 1160, yet that only serves as a preamble to the real plot. In fact this is actually a story about a samurai who falls in love with a woman and becomes obsessed with her to an unhealthy extent. This is a surprisingly colorful and good looking film. I don’t care for how terribly the Lady Kesa is treated here, but I have to concede that it does portray the demands of honor of that period in an artistically pleasing manner.
As to this summer’s choice between Oppenheimer and Barbie, I’m definitely in the latter camp. Even disregarding how grueling it would be to watch a three hour biopic in the cinema, I think this is obviously the richer and more artistically interesting of the two films. Indeed, director Greta Gerwig delivers not only an eye-searingly striking visual fest, but a powerful social commentary that encompasses the themes of gender relations, existentialism and even fits in a critique of Mattel itself. I’m not sure how much most people who watching this only due to the Barbie brand name are getting out of this, but to me, this is a very adult, very serious film.
Unsongis a web novel by Scott Alexander who is best known for the popular Slate Star Codex blog. I’m not really a regular reader but I do pay attention to it. The saga of the blog and the person behind it makes for a fascinating story in its own right but I won’t go into that here. This novel is set in an alternative history in which the Apollo 8 mission breaks the firmament around Earth as described in Biblical scripture and causes disruptions in the nature of reality. It turns out that everything described in the Talmud is literally true. Angels exist, the laws of physics are broken and the United States is broken up into fiefs led by local powers. People who learn to speak the Names of God can invoke magical effects and a worldwide organization called Unsong is formed to regulate their use.
Like most people I watched Disney’s version long ago but I don’t remember much of it. I do remember enough to tell that this version is different in many ways and as far as I’m concerned, they’re all good changes. As we’ve come to expect from Guillermo del Toro, it’s darker in tone and I loved Pinocchio looks like a crude, unvarnished wooden puppet. It seems that del Toro was inspired by one particular artist’s, Gris Grimly, illustrations. Instead of taking place in a fantasy version of Europe, this is set in World War 2-era Italy. Most importantly, whereas the original was all about telling children to be good and to be obedient towards their parents, this version subverts that lesson to have Pinocchio learn and decide what it means to be good on his own.
I add many films to my list from many different sources and now that we’ve watched many of the great classics, we’re moving on to films that aren’t quite universally acclaimed but may be notable. This one turned out to be a very competent noir of the period with a contrived twist and seems to have been beloved enough to inspire several episodes of popular television shows. Unfortunately it’s not anything that I would call great and not really worth going back for.
