Persona (1966)

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Considering how much I liked both Wild Strawberries and The Seventh Seal, I was really looking forward to watching Persona. It is apparently considered to be Ingmar Bergman’s masterpiece and one of the greatest films ever made. My wife says she has watched this many times already but was willing to watch it again with me. In the event, I can’t say that I like it very much. On an intellectual level, I have to admire how brilliant it is, but it’s just not a film that speaks to me.

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The Imitation Game (2014)

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With my interest in computer science in general and artificial intelligence in particular, I was always going to watch any biographical film about Alan Turing. As for my wife, she’d have wanted to add this to our list if only because it stars Benedict Cumberbatch. Since this is a biography of a well-known historical figure, there will be more spoilers than usual since I assume that readers are already familiar with Turing.

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The Scent of Green Papaya (1993)

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The Scent of Green Papaya is the very first Vietnamese film to be featured in this blog. It was the debut film for its director Trần Anh Hùng who since gone on to make other works that are also apparently considered to be quite notable. Like many of his films, it also stars the director’s wife Trần Nữ Yên Khê. What is most striking about this film however is that it perfectly immerses the audience in its setting of Vietnam in the 1950s, yet it is entirely filmed in a sound stage in France.

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A Bridge Too Far (1977)

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Hollywood made a lot of World War Two films, too many to make much of a dent in. Many of them are also very long epics, making them even of more of a chore to watch. Still, it feels like we should at least watch some of the more notable ones to be taken seriously as cinephiles, so I picked this one to start. As you can see from its extra-long poster, it has a massive cast that is practically a who’s who of the most prominent male actors.

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The Double Life of Véronique (1991)

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Considering how much we liked the Three Colors trilogy as a whole, it was inevitable that we would watch this earlier film by Krzysztof Kieślowski. This is especially true since it also stars Irène Jacob who is probably our favorite of the three leading ladies from the trilogy. Less obviously, like Bleu, it also showcases music by composer Zbigniew Preisner as a major element of the plot, in this case ascribing it to a fictional Dutch composer named Van den Budenmayer.

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The unexamined life is a life not worth living