Not being familiar with the music of David Byrne, I thought that this was closer to being a stage musical as it has a directorial credit to Spike Lee. But this really is a filmed concert performance of songs mainly from Byrne’s new album American Utopia and also songs from earlier in his career and maybe a couple from other artistes. It’s hard to develop a strong appreciation for a completely unfamiliar genre of music from one performance alone but this is a fantastic one and it’s also especially energizing due to how overtly political it is.
Continue reading American Utopia (2020)Black Mother (2018)
I thought this was a documentary on Jamaica but it’s a really an experimental art film. It was made by an American filmmaker Khalik Allah to explore his Jamaican heritage. While it’s quite impressive as a sensory experience, there’s no overall narrative here and no real attempt to convey any hard facts about the country. That makes it tough to sustain interest throughout the entire the film even though it’s a relatively short one.
Continue reading Black Mother (2018)Warhammer 40,000: Sanctus Reach

The last time I played a Warhammer 40k videogame was Warhammer 40,000: Armageddon, so I guess take this as proof of how much the setting appeals to me as a turn-based wargame. I think there is a difference in scale between the two games with the older one being a strategic level game while this one is tactical. But in a videogame the difference doesn’t matter as much as you’re pushing units around a map regardless. Here you’re playing on the side of the Space Wolves chapter of the Space Marines, which in practice means there is a lesser variety of units to play around.
Continue reading Warhammer 40,000: Sanctus ReachThe Grifters (1990)
This is a film of some renown, directed by the lesser known Stephen Frears but the project was initiated and produced by Martin Scorsese. It won some awards and stars some serious talent. However my expectations that it is a heist film of some kind was completely dashed and indeed everything in it was a complete surprise to me. Yet it is not in my mind a good film as it breaks too many rules of the genre and has a pacing that just feels too off. What a very odd film indeed.
Continue reading The Grifters (1990)Monos (2019)
This is an extraordinary South American film that was financed by multiple countries with funds contributed by various institutions but mainly shot in Colombia. It is effectively a case of activism by film, with the cause in this instance being the horrific tragedy of child or teenage soldiers. The film itself is free of ideology and non-specific to any country so it can be said to represent all armed insurgencies which employ child soldiers. Under the direction of Alejandro Landes, it is also very effective and one can only imagine the rigors the cast and crew must have endured to make this.
Continue reading Monos (2019)Kingdom
We’re just done watching the two seasons of this South Korean television series and naturally we’re only watching a Korean show because it’s really a zombie show. Setting a zombie outbreak in a period Korean setting is just an inspired decision and I especially appreciated how this is a relatively grounded show in which the characters actually try to understand the nature of the plague. It seems likely that there will be more but the first two seasons already tell a complete story, so no worries about this being a show with no end in sight.
Continue reading KingdomPiranesi
For once, it looks like I’m on top of new releases as this book has just been nominated for a slew of awards but final results have yet to be announced. Of course this book was always going to be a high profile release given that this is by Susanna Clarke and this is only her second novel after the incredibly successful Jonathan Strange & Mr. Norell. This is however a simpler, far less ambitious work than her first book which famously took over ten years to write and is short enough that some would question if it even qualifies as being a novel.
Continue reading Piranesi




