I’ve been reading this as it was sold in an omnibus volume together with Merchanter’s Luck. This is course another novel by C.J. Cherryh that is set in her Alliance-Union universe. The two novels are however extremely different in tone, scope and complexity. Here the narrative spans hundreds of years and a score of characters. Considering how I disliked how the earlier novel focused almost exclusively on the PTSD of a single character, it’s no surprise that I like this a whole lot more.
Since this sequel is a direct continuation of the first film I didn’t want to leave off watching it for too long. As usual with such epics, the running time is excessive but given the nature of these films, they’re easy on the eyes and not exactly taxing on the intellect. As with the previous film, it continues the story of both father and son though I was somewhat surprised to note that the portion allotted to the elder Baahubali carries heavier weight.
This marks the fourth film we’ve watched by director Jiang Wen but it was his directorial debut back in the day. As I understand it, this film garnered some controversy in its time but in an unusual direction. This film is set during the Cultural Revolution but unlike just about every other film portrayal of the event, it presents it as a mostly positive experience for its main character who seems to be a thinly veiled version of the director himself. This understandably ruffled some feathers of those who have painful memories of the period but contrary to my expectations, it is not in any way a sop to the Communist Party.
We went to the cinema to watch this due to strong word of mouth recommendations on places like Broken Forum. However the film has been in the news recently for all of the reasons due to how much hatred the Frozen short that precedes it has engendered. While not being awful, the short is clearly a B-team effort that goes on far too long. Once Coco proper kicks off, the difference in quality is so immediately apparent that you really do have to question why they ever thought pairing them like this was a good idea.
So after writing about buying Assassin’s Creed: Unity all the way back in March, I’ve finally gotten around to playing it. As I’ve mentioned I bought this even though I’m pretty burned out on the formula because I couldn’t resist the idea of playing through a map of Paris. As it turned out, I really am very bored of the basic gameplay loop but I enjoyed it anyway due to the map and appreciated most of the mechanics updates.
I’m sure that most people on the Internet came across images of the famous 1,650-foot ladder of burning gunpowder climbing towards the sky when it made the rounds a couple of years ago. This is a documentary about the life and career of the Chinese artist, Cai Guo-Qiang, behind that project. When I first saw those images I was impressed but thought that it must be the work of some enterprising fireworks technician. As this film shows however, Cai truly is an artist whose output spans multiple media.
My wife is especially concerned about mental ailments and added a whole bunch of films on the subject after following a course on it. This is the first entry to be knocked off the list and I probably wouldn’t have come across it in the ordinary course of events. It was notable enough when it was released, being nominated for and winning multiple awards, but it’s clearly not a film that will be remembered as a classic.