Sergio Leone’s A Fistful of Dollars is of course his unofficial remake of Yojimbo, being similar enough that the Japanese production sued and Leone eventually settled out of court. Being one of the earliest Spaghetti Westerns, the European crew members were so nervous that they adopted fake American-sounding names. This is why the musical score really is composed by Ennio Morricone as you can tell immediately upon hearing it but it is credited to Dan Savio.

We have watched a film by director Peter Strickland though I didn’t remember that until I went back to check. It was the Duke of Burgundy about a lesbian BDSM relationship. This one is completely different, being a horror film about, of all things, a dress. It’s a little too weird for me to really like but I have to admit that it is highly original and of course its visuals are simply sumptuous, just like the earlier film.

We’re back to the classic Akira Kurosawa samurai film with this one. It’s full of the director’s favorite actors including of course Toshiro Mifune in the lead role and indeed the shot of him slowly striding down an empty street is one of the director’s most iconic images. The plot is comparatively simple but this characterization of a wandering samurai out to do good deeds through both guile as well as force of arms has been an influential one for good reason.

It has been almost exactly a year since we watched the well loved 1994 adaptation so it’s still quite fresh in our minds. We were always going to watch this new version due to its stellar cast and the fact it is directed by Greta Gerwig. Unfortunately while this completely blows away the older film in terms of production values and visual beauty, it also makes some unconventional decisions with regards to presenting the sequence of events and emphasizing different aspects of their lives. This serves to differentiate the new version but I’m not sure that it’s for the better.

This most definitely not a musical film is the first directorial feature of its director Ladj Ly who previously made a name for himself for similarly themed short films. It immediately made waves upon its release and it’s easy to see why. Even from the very first shots, it seizes your attention with its energy and urgency and never lets up. As usual with such things, it can offer no easy solutions to longstanding intractable problems, but its revolutionary message rings loud and clear and it certainly lives to its adopted title.

Sometimes I add a film to my list and leave it there for so long that I forget why I did so by the time I get around to watching it. This is the case for My Cousin Vinny which doesn’t seem to be that significant a film. Interestingly this film is basically about New York Italians who are forced to stop and deal with the locals in a small Alabama and much of the humor is in the clash of these two very different worlds. Yet the director Jonathan Lynn is British, best known for the Yes Minister television series.

So this definitely counts as a sports biography type though knowing nothing about the world of motor racing, I had hoped it really was about a showdown between two industrialists like the title says. Instead it’s about the two men hired by Henry Ford II to create a team that would win the 24 Hours of Le Mans in order to get back at Ferrari. This one suffers from the usual set of simplifications and the predictable story beats of sports dramas, but the racing when the film gets to it, is really quite good.